Shot on two Red Komodos, Rokinon Cine primes. Lit with a Aperture 300x & parabolic softbox (various lights for backlits and FX lights) I was the director of photography and editor on this project.
Shot on two Red Komodos, Rokinon Cine primes. Lit with a Aperture 300x & parabolic softbox (various lights for backlits and FX lights) I was the director of photography and editor on this project.
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